We all continue mystify by the end of Christopher Nolan ’s origination . It ’s the kind of judgment - frak most directors only wish they could pull off . But did the picture show ’s costume fashion designer just give away the secret of what really happens ? looter !
New York Magazine ’s Vulture blog noticedthis revealing interchange in an audience with costume designer Jeffrey Kurland :
How much does costume reflect the inside machination of the secret plan , in particular in a cinema such as Inception ? For example , Cobb ’s children are break the same wearing apparel at the end of the chronicle as they are in his dream ‘ computer storage ’ throughout the film . Is there something to be understand here ?
Costume aim reflects greatly on the movement of the plot , most importantly through character ontogeny . role ontogenesis is at the head of costume design . The characters move the story along and with the theatre director and the histrion the costume designer facilitate to set the flick ’s excited tone in a visual way . In a more strong-arm sensory faculty the costumes ’ style and colour help to keep the story on caterpillar tread , keeping a check on clip and place .
On to the second part of your question , the shaver ’s wearable is different in the final scene … look again …
So the fry are last wear down unlike vesture when we see them in the “ tangible ” earth . And Vulture points out that they ’re also play by older actors than they are in other prospect . And actor Dileep Rao also evidence Vulture , in another interview , that at the very oddment Dom Cobb ’s top is guess to go as though it ’s careen and about to flow . So is Cobb really awake after all ? It sounds like it … for now , at least . We ’ll have to re - watch the movie another half twelve times to be sure .
Oh , and the whole costume designer audience is deserving checking out , to see how much cerebration went into all of those awe-inspiring rig . [ apparel On Film ]
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